Date of use : 10 August 1963, Australia

Australian Business Stationery to Obergassner K.G., Munich

This commercial envelope dating from the early 1960s documents communication between two companies operating in the photographic and cinema equipment sector on different continents. The envelope was sent by Cineoptics Australia Pty. Ltd., based in Australia, to the company Obergassner K.G. in Munich, West Germany. The postal cancellation indicates that the item was processed in Sydney on 10 August 1963 and dispatched via international airmail.

The envelope bears the "Bolex Paillard" logo, suggesting a connection between the sender and the Swiss manufacturer Paillard, producer of the well-known Bolex film cameras. The Paillard company developed in Switzerland during the nineteenth century as a manufacturer of precision mechanical devices. Its industrial roots are commonly traced back to enterprises associated with the Paillard family during the early nineteenth century. By the twentieth century the company had expanded into the production of typewriters, mechanical music devices, and eventually motion-picture cameras. The Bolex brand became internationally recognized particularly for its 16 mm and 8 mm film cameras. From the 1930s onward these cameras were widely used by both professional and advanced amateur filmmakers.

Cineoptics Australia Pty. Ltd., the sender of the envelope, was most likely an importer and distributor of photographic and motion-picture equipment within the Australian market. The address printed on the envelope places the firm in Artarmon, New South Wales, a commercial district in the Sydney metropolitan area. Companies of this type commonly acted as intermediaries between European or Japanese manufacturers and regional markets, importing equipment and distributing it through retail and service networks. Considering the global reputation of Bolex cameras during the mid-twentieth century, it is plausible that Cineoptics Australia functioned as a distributor or service representative for these products within Australia.

The recipient, Obergassner K.G., was located in Munich and is identified on the envelope with the designation "Photo-Kino-Optik," indicating involvement in photographic equipment, cinema apparatus, and optical instruments. During the 1950s and 1960s West Germany was one of the leading centers of photographic technology. The presence of major manufacturers such as Leica, Zeiss, Agfa, and Voigtländer contributed to the country's global prominence in the field. Munich served as an important commercial hub within this industry, hosting retailers, distributors, and technical specialists connected to the broader European photographic market.

The year 1963 falls within a period when photographic and amateur film equipment were expanding rapidly across global consumer markets. Following the economic recovery after the Second World War, technological development and rising consumer demand made cameras and film equipment accessible to broader audiences. At the same time, international trade networks intensified, allowing manufacturers to distribute their products worldwide through regional agents and importers. In geographically distant markets such as Australia, local distributors played a key role in maintaining supply chains and providing technical services. This envelope therefore represents a small but concrete document illustrating the everyday operation of these international commercial networks.

From a philatelic perspective the envelope carries an Australian postage stamp with a value of two shillings and three pence. The stamp depicts the "wattle," a flowering acacia species widely regarded as a national floral emblem of Australia. Stamps of this type formed part of a series issued by the Australian postal administration during the 1950s and 1960s featuring botanical themes. The blue "By Air Mail / Par Avion" label on the upper left corner indicates that the item was transported through the international airmail system, a standard marking for overseas correspondence during this period. The Sydney cancellation confirms the processing date of 10 August 1963.

On the reverse side the name "CINEOPTICS AUSTRALIA PTY. LTD." appears in a simple printed format identifying the sender. On the front side another printed instruction states that the envelope should be returned to a post office box in Artarmon if delivery was not completed within seven days. Such instructions were typical in commercial correspondence, ensuring that undeliverable mail would be returned to the sender without extended delay.

In terms of collecting categories, this envelope can be associated with several thematic areas. It represents commercial correspondence within the photographic and cinema technology industries and therefore holds relevance for collections focusing on the history of photography and motion-picture equipment. It also serves as an example of mid-twentieth-century international business communication, reflecting the global exchange networks that supported technological industries. From a philatelic standpoint it illustrates Australian airmail practice and stamp design during the early 1960s.

In conclusion, the envelope should be viewed not merely as a postal artifact but as a small historical document embedded within the global circulation of photographic technology. The correspondence between an Australian distributor and a West German optical supplier reflects the interconnected commercial networks that supported the worldwide distribution of photographic equipment during the mid-twentieth century. Manufacturers, distributors, and technical dealers formed a complex international system through which cameras and optical instruments moved across continents. As such, the envelope represents both a philatelic object and an archival trace of the international photographic trade.

This item is documented as part of the Photography in Postal History research project.
For research context, see the Research Methodology.
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