Date of use : 1931 Austria
Letter to Franz Weidinger Photographic Studio
This postcard represents a commercial request related to photographic services exchanged between two towns in Upper Austria. The addressee printed on the front identifies Photoatelier Franz Weidinger, located at Promenadegasse 17 in Linz an der Donau. Linz developed into one of the principal commercial centers of Upper Austria, and by the late nineteenth century the city supported numerous photographic studios, optical shops, and retailers supplying photographic materials. The establishment operated by Franz Weidinger was therefore likely a portrait studio providing services such as studio portraits, identification photographs, and photographic prints.
A small scenic image printed on the postcard depicts the ruins of Aggstein in Lower Austria, a motif commonly used on postcards produced in the region. Cards combining landscape imagery with postal correspondence were widely circulated in Central Europe and served both touristic and practical communication purposes. The Austrian stamp and cancellation mark visible on the card confirm that it was processed through the Austrian postal system, reflecting the standard design elements used for official postcards during the period.
The message on the reverse side is dated Steyr, 8 March 1931. Steyr, situated not far from Linz, was historically known as a center of trade and industrial activity. The content of the letter indicates that the sender had previously received photographs that unfortunately did not fully meet his expectations. The writer therefore requests the preparation of a photograph in a specific format suitable for an "Eisenbahnlegitimation," meaning a railway identification document.
Railway companies across Europe introduced identification documents and employee passes as rail transport systems expanded. These official papers often required a photographic portrait of the holder. As a result, photographic studios played an important role not only in producing artistic portraits but also in supplying standardized identification photographs for institutional and administrative purposes.
The message further asks that the photograph be sent together with a statement of the associated costs. Such requests illustrate the everyday communication that took place between photographic studios and their customers. Ordering photographic services by post was a common practice, particularly for clients living in smaller towns without easy access to large urban studios.
From a collecting perspective this postcard is valuable as a piece of commercial ephemera connected with photographic practice. It also represents an example of domestic postal communication within Austria and provides documentary evidence of how photographic studios interacted with clients. The printed studio address contributes additional archival value by identifying a specific photographic enterprise active during the period.
This item is documented as part of the Photography in Postal History research project.
For research context, see the Research Methodology.
For academic reference, please refer to How to Cite This Archive.
For research context, see the Research Methodology.
For academic reference, please refer to How to Cite This Archive.
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