Date of use : 1945 Germany

Postcard to Alois Krauss Wood Products Company

This small commercial correspondence card offers an interesting glimpse into the networks of photographic supply and small-scale manufacturing in Germany during the immediate postwar period. The sender is identified as Gebr. Dietrich – Handel mit photographischen Artikeln, Munich 22, Herzog-Rudolf-Straße 9. The abbreviation "Gebr." stands for Gebrüder, meaning "brothers," a designation commonly used by family-run businesses. It is therefore likely that this firm operated as a family enterprise managed by two brothers. The business description printed on the card clearly states its field of activity: the trade in photographic materials. Companies of this type typically functioned as intermediaries supplying cameras, photographic paper, chemicals, and darkroom equipment to photographers and laboratories.

The addressee is Alois Kraus – Holzwarenfabrik, Schwabmünchen. The term Holzwarenfabrik refers to a factory producing wooden goods. Schwabmünchen, located near Augsburg in Bavaria, historically supported a number of small manufacturing workshops. In this context, the enterprise operated by Alois Kraus was most likely involved in producing wooden accessories or small utilitarian objects for commercial use.

The message on the reverse side is dated Munich, 30 November 1945, placing the document in the difficult months following the end of the Second World War. At that time Germany was undergoing a profound economic and administrative reconstruction. Industrial infrastructure had been severely damaged, supply chains were disrupted, and the availability of raw materials was extremely limited. Under such conditions even relatively simple components could become difficult to obtain.

The text indicates that the firm Gebr. Dietrich had previously obtained wooden spring clips (Holzklammern mit Federn) from the factory of Alois Kraus. These clips were practical tools widely used in photographic darkrooms. During the drying process, photographic prints or negatives were often hung on wires or lines, and small clips were needed to secure them in place. Made of wood with a metal spring mechanism, these simple devices formed an essential part of everyday photographic laboratory work.

In the letter the sender asks whether such clips could once again be supplied and mentions a potential order of approximately two to three thousand pieces. This request suggests that the trade in photographic materials was beginning to recover after the disruptions caused by the war. Although the photographic industry had faced severe restrictions during the conflict, the late 1940s saw the gradual re-establishment of production and commercial activity.

The postal marking Munich 22 – 30 November 1945 confirms the time and place of dispatch. Its simple and utilitarian design reflects the practical postal operations of the immediate postwar period. Postal services in Germany were only gradually being restored at that time, yet they quickly became essential for rebuilding commercial communication.

From a collecting perspective this card represents an example of commercial photographic ephemera documenting supply relationships within the photographic industry. Beyond its immediate function as a business inquiry, the document also reveals part of the technical supply chain supporting photographic production. Discussions of photographic history often focus on cameras, film technology, or large manufacturers. However, modest documents such as this illustrate the everyday infrastructure that made photographic practice possible.

This item is documented as part of the Photography in Postal History research project.
For research context, see the Research Methodology.
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